The actors, too, seem to have taken pains to divine the subtleties in the play's language, and so Salter [director] elicits sensitive portrayals from the supporting cast. Among the best are ... Bette Cassatt as his poorly treated daughter....

[Galileo] is shockingly dismissive of his sensitive daughter, Virginia (Bette Cassatt, in a lovely, shaded performance)....

From a Caption: Griethuysen is supported by strong performances from Karl Miller and Bette Cassatt.
From Review: Bette Cassatt, who plays Galileo's long-suffering, loyal daughter, exhibits a subtle yet realistic and poignant performance.

Van Griethuysen's excellent portrayal of the famed stargazer is not without support from a strong cast... Bette Cassatt gracefully embraces the character of pious Virginia, fervently repentant for her father's blasphemy.
[Cassatt and Rob McClure] collaborate to create what is clearly one of the work's most poignant scenes. As the protests of Galileo's closest followers grow louder, Virginia's passionate prayer increases directly.

Bette Cassatt, as Galileo's daughter Virginia, superbly transforms from a flighty girl dealing with rejection from her father, to a solemn figure supporting the church.

Robert Aubry Davis - I was really quite charmed.
Peter Fay - Terrific performances all around -- we often use adjectives like that -- but this is in a special category.

Bette Cassatt, as the lovely, determined heroine, . . . demonstrates musical prowess; her sweet soprano blends well with [the Prince] in their short duets.

As played by Bette Cassatt, Karen [the heroine] is smart and resourceful, not without faults (feeding the animals while her family goes hungry) but ultimately well meaning and worth rooting for.

The supporting cast are all good, especially Bette Cassatt's dipsy Deidre . . . .

Bette Cassatt manages to be down to earth and totally out of it as Aladdin's love interest Princess Badrulbadur.

Cassatt is a lovely graceful Juliet. She is convincingly 14 in the role--flirty, faint-y and pout-y. she [sic] does the best job among the Shakespeareans of bridging the gap between "high" Shakespeare and camp Shakespeare.

Bette Cassatt as Juliet . . . play[s] Shakespeare's doomed heroine . . . (among other roles) with spunk and great comic timing.

The second act, which drags a bit in the late going, features at least one captivating performance, that of an actress trying out for her first shot at the big time. Bette Cassatt is so good in the role, it's easy to see why her character ought to pass the audition.